Oops I Did It Again Original Singer
| Oops!... I Did Information technology Again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
| Studio |
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Once more | ||||
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Oops!... I Did It Again is the second studio anthology by American vocalist Britney Spears released on May three, 2000, through Jive Records. Though much in the vein of her debut album ...Baby 1 More than Time (1999), it is a pop, dance-pop, and teen pop tape, the album incorporates a more funkier and R&B sounds.[i] Contributions to the anthology'due south product came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' song performance. The album became a massive commercial success, debuting at number one in over twenty countries while peaking within the pinnacle five in various other. In the United States, it debuted at number one on the Billboard 200, with first-week sales of 1.39 million copies, becoming the fastest selling album by a female person creative person since Nielsen SoundScan began tracking betoken-of-sale music purchases in 1991.[iii] This record was broken 15 years later on by Adele's 25, which sold over three.38 one thousand thousand copies in its first week of release.[four] It became Spears' 2d sequent album to be certified Diamond by the Recording Manufacture Clan of America, cogent sales of over ten meg copies in the United States, making Spears at historic period 18 the youngest artist to accept multiple diamond albums.[five] With worldwide sales of over 20 one thousand thousand copies,[vi] Oops!... I Did It Again is i of the acknowledged albums of all-time.
4 singles were released to promote the anthology. Its championship track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the United states of america Billboard Hot 100. Its second single, "Lucky", peaked at number i in Republic of austria, Germany, Sweden and Switzerland, within the pinnacle ten in Australia, Belgium, Canada, Denmark, Ireland, Italian republic, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number twenty-three on the US Billboard Hot 100. Its third single, "Stronger", reached the top ten in Austria, Finland, Frg, Poland, Romania, Sweden, Switzerland and the United kingdom, and peaked at number 11 on the Usa Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Denmark, Federal republic of germany, New Zealand, Sweden, and the Usa. Its final unmarried, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and inside the height ten in Austria, Poland, and Switzerland, only failed to chart on the The states Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She as well was the host and musical guest for the first time on Saturday Night Live. Furthermore, Spears embarked on a concert bout, entitled the Oops!... I Did It Again Bout, starting on June xx, 2000 and ending at the Rock in Rio festival on January xviii, 2001.
Recording and production [edit]
"When I did the offset album, I had simply turned 16. I mean, when I look at the album cover, I'm like, 'Oh, my lordy.' I know this next anthology's going to be totally dissimilar--especially the material. I simply got finished recording the showtime half dozen tracks in Sweden two months ago, and the material is so much more funkier and edgier. And, of course, it's more mature because I've grown every bit a person too."
—Spears on the progression of her material for the album.[7]
After vacationing for half dozen days following the completion of the ...Infant Ane More than Time Bout in September 1999,[8] Spears returned to New York City to begin recording songs for her next anthology; the majority of the recording took place in Nov. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (later covered by Gareth Gates), "What U Meet (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title rail) in January 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange'south villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You lot At present" was an outtake from ...Babe I More than Fourth dimension. "Daughter in the Mirror" and "Tin't Make Y'all Love Me"'due south instrumental rail and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to tape Diane Warren'southward "When Your Optics Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "1 Buss from Yous" was also recorded at Battery Studios but was after finished at tertiary Flooring in New York City. Spears also recorded the terminal track for the anthology "Honey Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York Urban center. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Go No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13] [14]
Past January, the so-untitled album was halfway to completion; Spears had worked on it primarily in the U.s. and Sweden, and finalized fabric in New York Metropolis.[9] She was heavily pressured subsequently ...Infant 1 More than Time 'due south huge commercial success, stating: "It's kind of hard following ten million, I have to say. Just after listening to the new textile and recording it, I'm really confident with it."[xv] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course at that place's some pressure", and added: "But in my opinion, [Oops!] is a lot better than the start anthology. It's edgier – it has more of an attitude. Information technology's more me, and I think teenagers will relate to information technology more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Over again less than a year and a half afterward Spears' debut amounts to "very smart timing. My philosophy is when y'all accept a young fan base of operations, go 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did It Again was considered as a sequel to Spears' debut album, ...Infant One More than Time (1999),[ane] percolating with a advisedly measured alloy of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the anthology has a more than mature, R&B-flavored popular sound. "It's not something I inverse purposefully", Spears said of the anthology's audio and added: "Information technology's merely something that kind of changed on itself with me beingness older. My voice has changed a piddling bit and I'm more confident, and I think that comes beyond on the material."[seven] One of its producers, Rodney "Darkchild" Jerkins talked nearly working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", calculation: "It has flavors of the original, only it'southward a straight 2000 version — new to the ear. Which I retrieve is cool, considering people who appreciate that song are going to love it. And I made it so new and young that the young kids that beloved Britney are going to dearest information technology. It'south going to grab both a mature and young audience."[eighteen] Spears worked with Robert "Mutt" Lange on "Don't Allow Me Be the Last to Know", telling MTV News: "When you hear the vocal, it'southward and so pure and delicate. It's just one of those songs that pull you in", and added: "I recall they wrote information technology 'especially for me, considering the lyrics of the vocal, if you really listen … they're more of what I can relate to, 'cause they're kind of immature lyrics, I think. I don't think Shania would probably sing some of the words that I'yard saying."[xviii]
The title track and opening vocal, "Oops!... I Did It Again", was compared to her debut single, "...Baby One More than Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized crush. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'thou in honey/That I'k sent from to a higher place — I'one thousand not that innocent."[19] The song too breaks down for a spoken-word interlude, involving a line from the pic Titanic (1997).[19] The 2d rails "Stronger" is a synthpop[20] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[21] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby One More Time".[18] Some other R&B-infused track, which likewise adds a bit more funk to the mix,[eighteen] "Don't Go Knocking on My Door" finds Spears confidently forging alee afterward a breakup.[21] The fourth rails, a cover of the Rolling Stones' "(I Tin can't Go No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown downward, turning the song into an urban stomp.[22] The trip the light fantastic-pop version also jettisons the song's final verse and adds some new lyrics[xviii] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my idea [to tape the vocal]", Spears said. "I was just like, 'I similar this vocal,' and I think it will be a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky vocal like that."[24] The fifth rail, "Don't Allow Me Exist the Terminal to Know", was co-written by state-popular vocaliser-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the track.[18] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of land twang into her vocals as she begs a lover to reveal his feelings: "My friends say yous're into me ... merely I need to hear information technology straight from you", she sings.[18]
The sixth track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the seventh track, "Lucky", is a middle-rending tale of a Hollywood starlet'due south loneliness, proving that fame can be empty.[21] "If there'due south nothing missing in my life/Then why practice these tears come at nighttime?", she asks.[20] "School beat out" is the theme of "One Kiss from You",[21] a track that has a reggae-style beat and lyrics about the feelings of falling in love, and the quickness of it,[25] with Spears cooing that subsequently simply one buss she sees her entire time to come with her lover.[26] The carol "Where Are Y'all Now" talks nearly wanting to know where a previous love is, and what that person is upward to, then that she tin can finally let them become and find closure.[ commendation needed ] Lines on "Can't Make You Love Me", a Europop song,[22] state that fancy cars and money stake in comparison to true love,[21] with Spears singing: "I'm just a girl with a vanquish on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string department with a loping hip hop crush,[eighteen] while Spears makes her own songwriting debut on the small-scale, keyboard-driven carol "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to go "so much more friends" with a boy.[eighteen]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with alive performances of her by songs. She appeared on Smash Hits in the United kingdom of great britain and northern ireland.[27] In Italy, she did a brusk interview on the television set bear witness TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[27] In Spain, she gave an interview with El Rayo on September viii and Oct 24.[27] Spears performed at big venues in the United Kingdom, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short Uk outing in October 2000.[28]
Oops!... I Did It Again was first released in Nippon on May 3, 2000, and was later released in the United States on May 16. In the United States, Spears appeared on Saturday Night Live on May 13, The Rosie O'Donnell Show on May xv, and Teen People's 25 Under 25 on May 26.[29] On May ten, she was interviewed on Late Night with Conan O'Brien.[27] On May thirteen, Spears was both the host and musical invitee on NBC'due south Saturday Night Live. She also performed on NBC's The This evening Show with Jay Leno on May 23.[thirty] Spears' held her post-TRL listening political party, "Britney's Start Listen", on May xvi, and was toast the arrival of her album on next Tuesday's installment of TRL that started at 3:xxx p.m. (ET).[31] On May fourteen, she was at Times Square studios for two hours of "Britney Alive" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV'due south All Access: Backstage with Britney that was broadcast on July 19, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable alive performance.[32] which included a cover of the Rolling Stones's hit unmarried "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Once more", released before that twelvemonth. While she began her segment in a black suit, she shocked the audience and the media while, at only the age of 18, ripped it off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the anthology, Spears headed to Hawaii on Easter Sunday so she could record a Fox telly special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Hamlet lagoon in Honolulu, Hawaii.[34] The Play a joke on concert event was intended to serve every bit a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May two, she had a press event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[35] Spears was also amid the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[36] She was also expected to appear on a Grammy-twenty-four hours TRL.[36]
The album's supporting tour, the Oops!... I Did It Once more Tour, visited North America, Europe, and Brazil every bit part of Rock in Rio. On the Crazy 2k Bout, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a print and tv advertisement entrada for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in lx-second radio spots and was function of a pre-concert video presentation for Spears's l-city summertime concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Over again" was released every bit the lead single from the album and achieved worldwide popularity. Information technology became Spears's tertiary acme-10 striking single on the US Billboard Hot 100, peaking at number nine; however, in comparing to the huge success of her debut unmarried "...Baby One More Fourth dimension", Jive Records considered "Oops!... I Did It Again" a pocket-size disappointment.[38] The song peaked at number one on the United states Mainstream Top 40,[39] belongings the record for the most radio additions in one day. "Oops!... I Did Information technology Once again" peaked atop the charts in Australia, Belgium, Canada, Italian republic, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the Britain.[xl] An accompanying music video for "Oops!... I Did It Over again" saw Spears on Mars in at present-iconic red shiny catsuit, while she is visited by an American astronaut who easily her the fictional Center of the Ocean precious stone which Rose threw into the sea at the end of Titanic.[41]
The anthology's 2nd single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Nautical chart.[42] In the U.s., "Lucky" just managed to peak at number twenty-3 on the Billboard Hot 100 chart and at number nine on the Mainstream Elevation 40.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted human relationship to fame.[43]
The third single, "Stronger", was released on October 31, 2000 and became the album's second highest-charting unmarried in the Us, peaking at number eleven on the Billboard Hot 100 and number i on the Hot Single Sales.[38] Information technology reached number seven on the Britain Singles Chart.[44] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired past Janet Jackson's video for "The Pleasance Principle".[45]
The fourth and concluding single, "Don't Allow Me Be the Last to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Summit 40. However, the song attained success in Europe, topping the Romanaian Tiptop 100 and peaking inside the elevation ten in Austria, Poland and Switzerland, while just missing the top 10 in Frg, Republic of ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered too racy at the fourth dimension, portraying Spears in dear scenes with her fictional boyfriend, played past French model Brice Durand.[47]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the U.k. in January 2001.[ citation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau'south Consumer Guide |  [50] |
| Amusement Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | 8/10[52] |
| NME | 8/10[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.net | [54] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Over again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[55] Giving the anthology four out of 5 stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that fabricated 'One More than Fourth dimension'," but remarked that, "Fortunately, she and her product team not but take a stronger overall set of songs this time, but they too occasionally get carried away with the same bewildering magpie artful, [...] giv[ing] the anthology character apart from the well-crafted dance-popular and ballads that serve as its eye. In the terminate, it's what makes this an entertaining, satisfying heed."[1] Billboard magazine wrote that "'Oops!...' indicates that she'due south developing a soulful edge and emotional depth that can't exist conjured with a glass-shattering note," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner power—and that'southward a darn adept message to offering an impressionable audience."[17] Entertainment Weekly's David Browne gave the album a B-rating, writing that the album "reminds us one time once more that the best new pop can exist a nail of cool air in a stifling room."[22]
Rob Sheffield of Rolling Rock gave the album a 3-and-a-half out of five stars rating, calling the album "fantastic popular cheese, with much meliorate song-manufacturing plant hooks than 'Due north Sync or BSB get", as well noting that "the not bad matter nigh Oops!, under the cheese surface, is circuitous, violent and downright scary, making her a true child of rock & scroll tradition."[23] A writer of NME reported that "she'southward modern-twenty-four hour period popular perfection realised in a about, man form", commenting that "she's done it once more."[20] Lennat Mak of MTV Asia named information technology "a vivid 2d album", writing that Spears "is armed with a more mature and seasoned pop star wait, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its bulletin simply for the way it applies the conventions of the pop-musical medium."[53] Website The A.V. Order was more mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the United States, Oops!... I Did It Once more reportedly sold 500,000 copies in its first day of release.[62] It debuted at number one on the Billboard 200 chart, with outset-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest beginning-week sales by a female artist.[66] This record was held for 15 years, only to be surpassed in November 2015 by the album 25 by Adele, which sold over 3.38 million albums in the United States in its first week.[4] The album brutal to number two in its second calendar week, with boosted sales of 612,000 copies.[67] It held this position for xv sequent weeks.[68] [69] Past its 5th calendar week of availability, Oops!... I Did It Over again had sold over three 1000000 copies and had passed five million copies by August.[seventy] On its seventeenth week on the chart,[71] information technology was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of 7 million units.[72] [73] The album spent eighty-four weeks on the Billboard 200, xxx-ane weeks on the Canadian Albums Nautical chart, and two weeks on the The states Catalog Albums.[74] Oops!... I Did Information technology Once more debuted at number eighty-ii on the European Elevation 100 Albums, and chop-chop peaked at number i;[75] information technology sold over 4 million copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did It Again reached number two on the U.k. Albums Chart,[twoscore] selling 88,000 copies in the commencement week of release; it remained in the meridian 5 for four weeks. The anthology debuted at number i in Canada, selling 95,275 copies in its first week.[77]
It topped the French Albums Chart[78] and the German language Offizielle Top 100, also being certified triple Platinum past the British Phonographic Industry (BPI),[79] double Golden by the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum past Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the anthology debuted at number two on the Australian Albums Nautical chart, and spent 10 weeks in the top xx;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following yr subsequently shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Once again opened at number three on the New Zealand Albums Nautical chart and was certified Gold afterwards simply ane week on the chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[86] Oops!... I Did It Again became the 3rd all-time-selling anthology of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[87] and fourth best-selling album co-ordinate to Billboard Twelvemonth-Stop of 2000.[88] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Clan of America (RIAA).[89] [xc] Also, the album landed at number twenty-7 on BMG Music Club all-fourth dimension all-time-sellers listing with 1.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana'southward Nevermind (1.24 1000000).[91] Every bit of July 2009, the album has sold 9,184,000 copies in the The states, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Over again sold ii.v million copies in its first week (2nd highest kickoff week sales by a female creative person worldwide) and sold fifteen million copies past the end of the year. It was the acknowledged female anthology and tertiary best selling album of 2000. The album has sold 20 one thousand thousand copies worldwide.[vi]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, claiming Spears' "What U See (Is What U Become)" and "Tin can't Make Yous Love Me" are "almost identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Yous Encounter Is What You Get" in 1999 to ane of Spears' representatives for consideration on a future anthology, though it was rejected.[93] The case was later on dismissed after it was ruled that they lacked sufficient show and that at that place "weren't plenty similarities between the two songs to testify copyright infringement."[94]
Rails listing [edit]
| No. | Title | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Again" |
|
| iii:31 |
| 2. | "Stronger" |
|
| 3:23 |
| iii. | "Don't Become Knockin' on My Door" |
|
| iii:43 |
| 4. | "(I Can't Become No) Satisfaction" |
| Rodney Jerkins | four:23 |
| 5. | "Don't Permit Me Be the Last to Know" |
| Lange | 3:50 |
| six. | "What U Run across (Is What U Get)" |
|
| iii:36 |
| vii. | "Lucky" |
|
| 3:26 |
| 8. | "One Kiss from You" | Steve Lunt |
| 3:23 |
| 9. | "Where Are You Now" |
|
| 4:39 |
| ten. | "Can't Make You Dear Me" |
|
| three:17 |
| eleven. | "When Your Eyes Say Information technology" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Full length: | 44:37 | |||
| No. | Championship | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Daughter in the Mirror" | Elofsson |
| 4:06 |
| 13. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Optics Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| three:36 |
| 13. | "You Got Information technology All" | Rupert Holmes | Eric Foster White | 4:43 |
| fourteen. | "Honey Diary" |
|
| ii:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(due south) | Length |
|---|---|---|---|---|
| eleven. | "When Your Optics Say It" | Warren |
| iv:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| three:36 |
| xiii. | "You Got It All" | Holmes | White | 4:x |
| fourteen. | "Heart" |
|
| 3:31 |
| 15. | "Dear Diary" |
|
| two:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Permit Me Be the Final to Know" (Album version) | 3:50 |
| ii. | "Don't Permit Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| 3. | "Don't Let Me Be the Concluding to Know" (Hex Hector Guild Mix) | 10:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | 5:21 |
| five. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Over again" (Music video) | iv:eleven |
| 7. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| 9. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Full length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did It Again" (Music video) | 4:xx |
| 2. | "Lucky" (Music video) | 4:14 |
| three. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did Information technology Once more" (Karaoke) | 4:17 |
| five. | "Lucky" (Karaoke) | 4:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Can't Get No) Satisfaction" is a comprehend of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Stonemason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Woods – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Stonemason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – song engineer
- Jackie Murphy – art direction, design
- Mark Seliger – back embrace, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Greenish – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Dark-brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – groundwork vocals
- Nora Payne – groundwork vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – groundwork vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Twelvemonth-end charts [edit]
Decade-end charts [edit]
All-fourth dimension charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See likewise [edit]
- Listing of all-time-selling albums
- List of best-selling albums by women
- List of best-selling albums in the United states of america
- List of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did It Over again has sold nine,201,000 copies in the Us according to Nielsen SoundScan,[189] with additional i,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does non count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[92]
References [edit]
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- ^ Salaverri 2005, p. 943
- ^ Panas, Dan (Dec 29, 2000). "Marie är popens drottning år 2000". Aftonbladet (in Swedish). Archived from the original on March 16, 2021. Retrieved March 16, 2021.
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- ^ Copsey, Rob. "Albums turning 20 years old in 2020". Official Charts Company. Retrieved 9 Jan 2020.
- ^ "British album certifications – Britney Spears – Oops!... I Did Information technology Once again". British Phonographic Manufacture. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did It Again in the "Search BPI Awards" field and and then press Enter.
- ^ Trust, Gary (May 27, 2012). "Inquire Billboard: Spears, Lovato's 'X'-cellent Sales". Billboard . Retrieved May 27, 2012.
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- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Over again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special UK Edition)". AllMusic. October nine, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Again Australia Special Edition west/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did Information technology Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Yr by year. 1959-2002] (in Castilian). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29
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